A painting a week. Week 77

“Garden flowers and roses in a vase.”

Another week, another challenge and another painting finished. I was torn between plein air painting and another still life. Weather was good and dry, but after another challenging week at work, I have decided to stay indoors for the weekend. And it is plenty to paint as well. However, because the roses are in full bloom and I like roses a lot, I set up a still life with some flowers from the garden and a couple of roses.

I worked using a larger palette than usual, with four yellows, three blues, three reds, asphaltum and white. And this was a challenge, not only because the size of the wooden palette, but the number of possible combinations. This is huge!

Anyway, I painted using the sightsize method, as per most of my recent paintings, looking from about 5 feet away from the setup. For the lights I used my barn door lighting unit with 150 Watt bulb, now fitted with a dimmer.

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I painted it alla prima, using few layers for the background, to obtain the right effect.

Being one of my first few paintings with roses, I still struggled a bit, but with more concentration I think I was able to render the roses better than before; I now start to understand the structure of a rose, which is quite complex. Hence, in the end, I think it was a good and refreshing experience.

So, here it is:

“Garden flowers and roses in a vase.”

Oil on linen.

30 X 40cm (12” X 16”).

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A painting a week. Week 76

“Roses in a blue vase.”

Back home from Iceland for a week now, but the cool and cloudy weather that followed us is still here. Hence, no chance for plein air painting. Instead, I painted a landscape from a photo I took in Iceland, with the Strokkur geyser. Quite pleased with the result.

For the weekly challenge, I have chosen to do another still life, mainly because I haven’t done many lately and the subject matter flowers, what else? There are some beautiful roses in my garden, so we picked a few and put them in the same small blue vase I already used few times before.

I did the painting alla prima, over few sessions and few hours (half a day). Used a relatively reduced palette, with two blues (teal and cobalt), a touch of a third blue (ultramarine), yellow ochre, two more yellows, two reds, asphaltum and white – I used the white from Caran d’ache brand, with safflower oil, the one I bought in Iceland. I haven’t used any medium, just some turps to thon the paint.

So, here it is:

“Roses in a blue vase.”

Oil on linen.

30 X 40cm (12” X 16”)

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A painting a week. Week 75

“View in Iceland from the deck of the house.”

An incredible week! Not much time for painting, but an incredible week. We have been on holiday to Iceland for a week, and it exceeded our expectation. Although is supposed to be summer, Iceland is very close to the arctic circle with the capital city, Reykjavik only 2° latitude below it. It is also situated on the 10Celsiu isotherm, which means that the average temperature during the warmest month of the year, July is below 10 Celsius, over most of the country. So, we had a bit of both, some “warm” days, up to around 14 Celsius in sunshine and 5 – 7 Celsius at “night time”. And I am saying “ night time” because this close to the summer solstice there is not an actual night. The sun sets for about three hours, but stays just below horizon, hence instead of dark, is like a very light twilight. On the reverse, in December would be about 5 hours of this twilight instead of proper daylight. Usually is cloudy, windy and quite wet, but the sun comes as well, so we had sun, most of the afternoons for few hours, more or less and we had couple of days without much wind.

We visited some places around, going as far to the southeast as Vik, which is the most southernmost place in Iceland, famous for the black beach, made of volcanic ash and a large colony of puffins, the Iceland national bird, which we haven’t seen any. Close by is a wreck of an abandoned American plane, which crash landed after running out of fuel, but all people escaped unharmed. The spot is in the black beach at Solheimasandur, and is reachable by foot, a hike, about 3.5 Km over the desolated beach. We also managed to see few waterfalls, amongst others, Gulfoss, Skogafoss, Seljalandsfoss, Gjain, Haifoss, the volcanic lake Kerid and the national park Thingvellir, where the two tectonic plates meet and create a rift. And, not to forget the Nesjavellir geothermal power plant , which can’t be visited obviously, but can be viewed from a viewing platform after a long and steep hike.  Nesjavellir is the second largest geothermal power in Iceland. And many, many other beautiful places. I almost forgot the Tomatoes Farm at Fridheimar, where they serve a lovely tomato soup and other beautiful tomato based dishes, deserts and beverages; I tried the tomato beer. The restaurant there is quite pricy, but it worth it and is only open from 12 to 4:00 in the afternoon and you would need a booking to find a place. Another fantastic place is Gesyr, which gave the name geyser to hot boiling springs around the world. And to top all this the landscape is striking and it changes every few miles or so, sometimes fields, sometimes volcanic ash, lava fields, hills, some covered in moss, some in bushes and some few with new forests coming to life. And lots of sheep, most of them with two lambs and the famous Icelandic horses, the most robust and resistant horse race.

We stayed in a modern villa in a village, one of those little villages with little lanes paved with a reddish rock powder looking very similar to slag.

The house was set in the middle of a forest, surrounded by a deck and a little sky walk.

So, because of lack of time, I only managed to paint one painting of a view from the deck. I painted it alla prima in couple of evenings. I haven’t used any medium, just some turps and used a reduced palette.

So, here it is:

“View in Iceland from the deck of the house.”

Oil on linen.

20 X 30cm (8” X 12”)

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A painting a week. Week 74

“Small blue vase with garden flowers.”

Terrible week at work, but is all over now and looking forward to a relaxing week of holiday up north in Iceland. Which means, amongst other thinks, some plein air painting coming.

I didn’t have much time and energy to paint, this week, mostly because it was extremely stressful at work; I managed to pull myself together and started this little painting on Saturday evening, when I did the composition and blocked the first layer on the canvas. When I did the set up, for the vase I used a little glass I have bought few years ago from Van Gogh museum in Amsterdam and has a Van Gogh theme painted on it. The flowers come from my little garden.

I continued and finished it next day, in two sessions, alla prima. I used a reduced palette, using two browns, two blues, two yellows, two reds and white. Again, no medium, just some turps.

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Quite happy with the way it turned out. For the lights I used the new gadget, the dimmer I recently bought and attached to the studio barn door lighting unit I have. I am happy with the way it works and I can now play even more with the contrast and intensity of the light.

I used heavier brush strokes with thicker paint and I am happy with the result.

So, here it is:

“Small blue vase with garden flowers.”

Oil on linen.

24 X 30cm (10” X 12”)

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A painting a week. Week 73

“The Thinker of Hamangia and his lady.”

The Hamangia culture is a Late Neolithic archaeological culture of Dobruja (Romanian: Dobrogea), between lower Danube river and the Black Sea. It is named after the site Baia – Hamangia, discovered in 1952 along Galovita lake. It begun around 5200 BC and lasted until around 4500 BC. Numerous pottery objects were found. Most typical were painted vessels with complex geometrical shapes based on spiral motifs. Pottery figurines are extremely stylized, many depicting standing faceless women with emphasized breasts and buttocks.

Two figurines known as “The Thinker of Hamangia” and “The Sitting woman” are considered to be masterpieces of the Neolithic.

During my recent holiday in Romania we found some pottery by a Romanian artist, Petru Maxim from Dorohoi (http://www.maximart.ro). Amongst other pieces, mostly inspired by Cucuteni culture we found this little pottery figures depicting the famous “Thinker” and “Sitting woman” of Hamangia. We bought them straight away. Immediately I thought of painting them, but it took me nearly two months for the first attempt. I painted alla prima, in one day, using a very reduced palette and no medium, just turps.

On this occasion I played more with the lights and the newly acquired dimmer.

So, here it is:

“The Thinker of Hamangia and his lady.”

Oil on linen.

24 X 30cm (10” X 12”)

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A painting a week. Week 72

“Freesias in a blue vase.”

It is something about flowers. They are beautiful and fragile and some of them only last for few days. And some of them are beautifully scented, bringing joy to all of your senses. Every time I see flowers I want to paint them, although this is not always possible. I’ve had a tiring week at work, so towards the end of the week I managed to indulge in painting. I managed to do an outdoor painting on the Saturday afternoon, painting on a lane with a beautiful field of Red Campions.

For the weekly painting I’ve chosen to do a (yet another) still life. I did my usual set up for sight size still life, and I used a blue vase, which I believe I have used before, with some freesias and few blue bells; the blue bells started dying before I finished the painting.

I tried to paint it alla prima, but I haven’t completely succeeded. I did the drawing in brush, using italian cassel and some white, then I did a tonal underpainting, using the same colours.

I completed the painting, next day (evening) in one session. I used a reduced palette as I started to do lately and no medium, just turps.

I am still using the powerful lighting unit with barn doors to obtain the effects of light and the strong shadows, though I am looking into getting a dimmer to be able to adjust the light better; sometimes I think the light is to bright.

 

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So, anyway, here it is:

“Freesias in a blue vase.”

Oil on linen.

24 X 30cm (10” X 12”).

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A painting a week. Week 71

“A walk at Witcher’s Wood, Exbury Gardens.”

Second great weekend in a row. This is pretty unusual, but I am not complaining about it. Despite of the forecast, which was predicting a rather dump end of the week, the weather stayed quite dry, few drops of rain now and then, but mostly dry. Not as warm as last week, but more bearable 16 – 18 Celsius. Hence, we decided to go back to Exbury Gardens for another plein air.

I didn’t want to paint the same area of the garden, so we headed to a different area. The Witcher’s Wood. Located to the West, Witcher’s Wood is named after a family of charcoal – burners who used to live there. It contains many ornamental trees, including the Coffin Tree and the Brewer’s Spruce.

I set up my easel on a side of the main alley, which is called Lovers Lane.

I painted alla prima, over around four hours, using a reduce palette and some turps; no medium. I have chosen a portrait format, for a better composition with the tall tree.

 

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So, here it is:

“A walk at Witcher’s Wood, Exbury Gardens.”

Oil on linen.

30 X 40cm (12” X 16”).

 

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A painting a week. Week 70

“A view in Exbury gardens.”

Exbury gardens is a famous garden in England, situated in Hampshire, east of Beaulieu, in the village of Exbury. It belongs to a branch of the Rothschild family. It has around 200 acres and contains a very large collection of azaleas, rhododendrons and camellias. In the north east of the garden, there is the 12 ¼ in gauge Exbury Steam Railway.

Being a bank holiday weekend with great weather on the forecast we decided to visit Exbury gardens, with some friend of ours. The weather was indeed fabulous, clear sky with no clouds, no wind and very warm (around 23 Celsius). We had a little walk around the garden, trying to decide what to paint (tough decision to make in such a beautiful place). We stopped in the end to paint this lovely view, with an alley and a pale yellow rhododendron on a side.

 

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I used a reduced palette, having three blues, two yellows, a red, white and some browns. I painted it alla prima over about three hours. I haven’t used any medium, just some turps.

All in all a superb day, discovering new places in New Forest national park, thanks to Pete who knows the park a lot better than me.

So, here it is:

“A view in Exbury gardens.”

Oil on linen.

30 X 40cm (12” X 16”)

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A painting a week. Week 69

“Castle street bridge in Christchurch, Dorset.”

The holiday is now finished for a week and the good sunny and warm weather feels like a long lost memory. From two weeks of sunny, dry and averaging 26 Celsius weather, back to the lovely British weather, grey skies, windy and cool temperatures. And plenty of rain.

Luckily, it was dry enough for a plein air session on Sunday, after a rainy Tuesday afternoon (that was another day I could have painted).

I went to Christchurch, in Dorset UK, with a local artist, Adrian. The weather was colder than we expected, and a bit windy, but it was a great experience. We set up on the river Avon banks, near Norman House ruins. Adrian painted the ruins, I painted the bridge. We spent few hours painting, until we froze. It was dry, but cloudy, the sky showing a myriad of shades of grey.

 

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A lovely experience and a painting I am happy with, although it was a dull day, lots of greys and browns and no shadows.

So, here it is:

“Castle street bridge, in Christchurch, Dorset.”

Oil on linen.

30 X 40cm (12” X 16”).

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A painting a week. Week 68

“Birnau Church”

The Basilica of Birnau is a popular pilgrimage church located on lake Constance’s west banks. Lake Constance, also known as Bodensee in German, is a 63 Km long lake, fed by the Rhine river and borders Germany Austria and Switzerland. It is surrounded by resort towns and is a popular tourist destination, especially for swimming, sailing and windsurfing. There is a cycle path of 270 Km around the lake, known as Bodensee – Radweg.

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On the hills around the lake, there are picturesque orchards and vineyards.

The Basilica of Birnau was built in 1746 – 1749 and is a beautiful baroque church with impressive paintings and sculptures.

It is unusual that it has seven altars. The beautiful organ was rebuilt after the second world war and sometimes there are concerts in the church.

Towards the end of our holiday we managed to stay a couple of days in the area and visited few picturesque places, as well as the Sigmaringen Castle, where the family of Romanian kings originated.

 

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Anyway, we managed to spend an afternoon at the Birnau Church and I painted this little painting of the church, alla prima, on Ampersand board.

 

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So, here it is:

“Birnau Church”

Oil on Ampersand board.

20 X 25cm (8” X 10”).

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